مجموعة صور مشروع استدامة الإرث الثقافي بمشاركة المجتمعات المحلية
تتكون مجموعة صور مشروع استدامة الإرث الثقافي بمشاركة المجتمعات المحلية من 4,710 صورة مختارة من السنوات الأربع الأولى من أعمال المشروع (2014-2018). ضمن أرشيف المركز الأمريكي للأبحاث تضم مجموعة صور المشروع العديد من الصور المتنوعة من أعمال تطوير المواقع الأثرية التسع التي عمل المشروع بها في جميع أنحاء الأردن مثل (بيت راس، أم الجمال، مادبا، غور الصافي، بصيرا، بير مذكور، معبد الأسود المجنحة، وادي رم، آيلة) ووضح بعضها الآخر كيفية مشاركة أبناء المجتمعات المحلية في دعم عملية إدارة الإرث الأثري الأردني وأساليب الحفظ الحديثة
تم ترتيب مجموعة صور المشروع في خمس مجموعات تعكس أهم ركائز أعمال المشروع وهي تطوير المواقع الأثرية والتطوير السياحي وبناء القدرات والتوعية والفعاليات. انقر على الصور أدناه لتطلع على لمحة بسيطة من صور كل مجموعة ولمشاهدة صوراً أكثر من سنوات مختلفة لأعمال المشروع نشجعك على زيارة موقع أرشيف المركز الأمريكي للأبحاث والاستمتاع بها
Building on the economic momentum generated by Jordan’s growing tourism sector over recent years, SCHEP also worked to support local actors seeking to develop their own enterprises to manage and benefit from their cultural heritage. By 2018, SCHEP had supported the establishment of four local Micro & Small Enterprises (MSEs) to manage cultural heritage resources and develop tourism products and experiences, attracting new visitors and providing income and employment opportunities for the local community. In Aqaba, Busayra, Ghawr as Safi, and Umm al Jimal, partners and site stewards are now leading their own initiatives and continuing the work that SCHEP started. By connecting cultural heritage to real economic opportunity, SCHEP is able to achieve more significant and sustainable engagement with local communities, enabling them to become partners in preservation.
Supporting the establishment of local companies is not the only way SCHEP has worked to achieve sustainable growth in tourism at its nine affiliated sites and to ensure that they are included on the national tourism map. The team has also worked with organizations like the Jordan Inbound Tour Operators Association (JITOA) and the Jordan Tourism Board (JTB) to introduce tour operators to the lesser-known sites and produce materials that introduce curious potential visitors to what they have to offer. The project also offered trainings and workshops on site promotion, offering local stakeholders the knowledge and skills they need to turn their local sites into national and international destinations.
Images by: AbedalFatah Ghareeb, Nizar Al Adarbeh, Barbara A. Porter, Sofia Smith
SCHEP’s awareness program, under the title “Generations 4 Heritage,” sought to bring together communities and strengthen bonds. This meant implementing a variety of educational workshops, field trips, and events that fostered closer ties among classmates, families, friends, and communities. Amidst the festivals and celebrations, SCHEP’s awareness events also worked to educate children, their families, and others through fun and engaging activities. Participants learned how to reassemble broken pottery or create their own mosaics, while at the same time gaining a better understanding of SCHEP’s aims in the community and the value of the sites in their own backyards. A particular emphasis was placed on youth engagement and participation.
A particular emphasis was placed on youth engagement and participation. Many of the community issues the projects encountered, such as vandalism or misinformation about the sites, stemmed from a lack of education or sense of ownership. SCHEP believes that these values of stewardship and heritage can be learned and embraced at any point in life, but that it is certainly beneficial to start at an early age. To this end, much of SCHEP’s work focused on schools, either educating SCHEP host communities about the history or value of their local sites or looking outside our own nine sites to teach more general knowledge and appreciation of archeological and cultural heritage.
Images by: Eman Abedsalam, AbedalFatah Ghareeb, FOAH Team, Yusuf Ahmed, Sofia Smith, Nayef Alshamlat, JREDS Team, Mustafa Al Ajlouni
Although Jordan is home to over 20,000 documented archaeological sites, most people can only name a few, have visited fewer, and know the history of an even smaller number. SCHEP sought to change that, selecting nine cultural heritage sites across the country to develop, ranging from well-known locations such as Petra to those that rarely, if ever, received visitors before. Given the diversity of the areas the project was involved with, there was no standard model that could be followed to preserve, protect, develop and promote the sites with the direct involvement of the surrounding Communities.
Ethical and effective site development is at the heart of SCHEP’s mission, and the project team has worked to clear and clean each of its related sites, developing paths for visitors to experience the site and interpretive panels to help people understand what they see before them. These objectives were only carried out after SCHEP conducted surveys and otherwise engaged with local communities to mitigate any negative effects from such interventions. Although specific forms of intervention necessarily varied from site to site, the ultimate goal was to ensure that each site was able to reach its potential as a destination for education, exploration, and community-building.
Images by: Abdallah Saedeen, Sofia Smith, Yusuf Ahmed, AbedalFatah Ghareeb, Barbara A. Porter, Nizar Al Adarbeh, Zaid Kashour, Eman Abdessalam, TWL Team, MARS Robotics, DOA photographer, Matthew O’Brien
The USAID Sustainable Cultural Heritage Through Engagement of Local Communities Project, implemented by ACOR, supported and participated in a number of special events, high-level meetings, lectures, and conferences from 2014 – 2018. Such events provided opportunities to exchange knowledge, develop and present policies and guidelines, plan collaborations, and strengthen the community of practice around Jordan’s heritage.
Images by: Sofia Smith, AbedalFatah Ghareeb, JREDS Team, Yusuf Ahmed, Barbara A. Porte
Cultural heritage conservation, management, interpretation, and presentation demand a wide variety of skills. These fields are often on the cutting edge of technology, necessitating up-to date, and detailed knowledge. SCHEP had to assess, the skills that would be most useful for the cultural, heritage sector in Jordan, as well as how to train, people with varied backgrounds and skill levels in a short period of time, as most participants in SCHEP programs were also full-time employees or students. To accomplish these goals, SCHEP worked closely with institutions, universities, companies, and potential trainees to develop a wide variety of capacity building programs.
SCHEP’s capacity building programs included the site-specific programs listed in previous sections. These courses and the skills they imparted, while transferable, were designed to focus on individual projects and meet the needs of specific sites. The courses discussed in this section, however, were broader programs, seeking to bolster the skills of the CHR sector writ large. A total of 302 Jordanian professionals, students, and recent graduates took part in SCHEP’s capacity building activities, gaining new knowledge and learning cutting-edge skills and techniques to aid their work to protest and preserve Jordan’s cultural heritage.
Image by: AbedalFatah Ghareeb, Zaid Kashour, Yusuf Ahmed, Sofia Smith
See Arabic version here. The USAID SCHEP collection is comprised of 4,710 selected photographs from the first four years of SCHEP (2014 – 2018), making them available to the public as a special collection within the ACOR Photo Archive. The photos showcase SCHEP-supported site development work at nine sites throughout Jordan (Bayt Ras, Umm al Jimal, Madaba, Ghawr as Safi, Busayra, Bir Madhkur, Temple of the Winged Lions, Wadi Rum, Ayla) highlighting modern conservation methods and local community involvement. The collection is arranged in five series by categories: Site Development, Capacity Building, Awareness, Events, and Tourism. Below are image galleries for each of the categories, which offer a sampling of what the collection includes under each theme.
ACOR and USAID SCHEP are excited to announce the launch of the SCHEP Photo Archive Project! This pilot project will focus on compiling, editing, and storing selected photographs from the first four years of SCHEP (2014 – 2018), making them available to the public as a special collection within the ACOR Photo Archive. The SCHEP Collection, like all of the collections in the online ACOR Photo Archive, will be freely accessible to students, researchers, practitioners, and any other interested parties. This collection will showcase SCHEP-supported site development work at nine sites throughout Jordan, highlighting modern conservation methods and local community involvement. Images from SCHEP’s first phase of awareness raising, capacity building, and tourism development activities will also be included. Sustainability and knowledge-sharing are key components of SCHEP, and this project will help to ensure that SCHEP’s work and its methodology are preserved and made accessible to all for many years to come.
The SCHEP Collection at the ACOR Photo Archive will be launched this February, so keep an eye out here and on ACOR’s social media channels for updates!
The Sustainable Cultural Heritage Through Engagement of Local Communities Project (SCHEP) is funded by the U.S. Agency for International Development (USAID) and implemented by the American Center of Oriental Research (ACOR).
إطلاق مشروع أرشفة صور مشروع استدامة الإرث الثقافي بمشاركة المجتمعات المحلية
يسرنا الإعلان عن إطلاق مشروع أرشفة صور مشروع استدامة الإرث الثقافي بمشاركة المجتمعات المحلية ضمن تعاون بين “مشروع استدامة الإرث الثقافي بمشاركة المجتمعات المحلية” والمركز الأمريكي للأبحاث الشرقية
تُعد الاستدامة ومشاركة المعرفة من أهم الأسس والمبادئ التي يسعى مشروع استدامة الإرث الثقافي بمشاركة المجتمعات المحلية إلى تحقيقها ومشاركتها مع الجميع، ولهذا سعى المشروع إلى إطلاق مجموعته الخاصة على موقع أرشيف صور المركز الأمريكي للأبحاث الشرقية. سيركز المشروع على أرشفة صور المشروع خلال السنوات الأربع الأولى من أعماله (2014-2018) وتصنيفها وتحريرها وحفظها وإتاحتها للعامة ضمن أرشيف صور المركز الأمريكي للأبحاث الشرقية. ستكون هذه المجموعة متاحة للطلبة والباحثيين والعاملين والمهتمين في حماية الإرث الثقافي وغيرهم
أما عن ماذا ستتناول هذه المجموعة من صور فسوف تعرض أعمال المشروع في تطوير مواقع أثرية في الأردن وأحدث طرق الحفاظ عليها ومشاركة أبناء المجتمعات المحلية في هذه العملية. ومن خلال هذا المشروع سيضمن المشروع من حماية أعمال المشروع وترسيخ منهجية عمله في الحفاظ على المواقع الأثرية للعامة وإلى مدى بعيد
سيقوم المشروع بإطلاق مجموعته ضمن أرشيف المركز الأمريكي للأبحاث الشرقية في فبراير القادم، لهذا ننصحك بمواكبة أخبارنا عبر منصاتنا على وسائل التواصل الاجتماعي للاطلاع على آخر تطورات المشروع ومشاهدة مجموعة صور المشروع حين اكتمالها
مشروع “استدامة الإرث الثقافي بمشاركة المجتمعات المحلية” هو مشروع ممول من الوكالة الأمريكية للتنمية الدولية، ومنفذ من قِبل المركز الأمريكي للأبحاث الشرقية
Kenneth Russell: An Archaeologist with a Passion for the Power of the Question
By Ashley Lumb. Published June 4, 2020
Twenty-eight years have passed since North American archaeologist Kenneth Russell tragically died on May 10, 1992, in Amman, Jordan from complications arising from a tick bite. Ken was only 41 years old and in the prime of his scholarly career, having recently discovered the remains of a Byzantine-era (5th-6th century) church at Petra. He was appointed Director of the Petra Church Project, which was a co-partnership between ACOR and the Department of Antiquities and was supported by the United States Agency for International Development (USAID). The excavation was due to commence with an opening ceremony attended by H.M. Queen Noor on May 15th, 1992. Sadly, the planned celebrations turned into a solemn occasion as Ken was instead laid to rest in Petra that same day, on a promontory overlooking the ancient city, leaving his friends and colleagues with a deep sense of loss.
The catalyst for this essay on Kenneth Russell is the addition of his collection to the ACOR Photo Archive: over one thousand color slides have been digitized and made freely available online. The photographs were taken between 1974 and 1991 in Jordan, Syria, Turkey, and Lebanon, among other places. The whole Kenneth Russell collection can be browsed here.
To chronicle Kenneth Russell’s life is to participate in the history of the discipline to which he contributed notably, as his intellectual influence on ethnoarchaeology was significant  . In this photo essay, we at ACOR present the principal projects he was involved with in Jordan, together with recollections from his former friends and colleagues Steve Simms, Jane Taylor, and Bert de Vries. We are deeply grateful for these insights into Ken’s life and we hope that this essay provides a starting point for further research.
Full of life and soul, Ken was well liked. Friends and colleagues have described him in many ways: driven and flamboyant, irrepressibly positive, witty, generous, passionate, a romantic, and an animated lecturer. He chafed at authority and at times had a short temper. He was known for his colorful style, his infectious enthusiasm, and loud laughter: he was once kicked out of a hostel for laughing too hard and too long. His friendships were many, his acquaintances legion. Ken blended the qualities of empathy and compassion with a brilliant mind, a love of learning, and tireless scholarship. A leading light in archaeology, Ken’s short but productive career has much to teach us.
Bert de Vries, former ACOR Director (1988–1991), whose photographic collection is also available online, recalled that Ken was engaged in numerous projects in Jordan, including studying pottery sequences from the Nabatean domestic structures, ethnoarchaeology studies of the Bdoul Bedouin community in Petra (also referred to as the Bedul), analyzing the sediment patterns and flood cycles at Tur Imdai, gathering data on earthquakes in antiquity, consulting on cultural heritage work at the Temple of Hercules at Amman Citadel and at Ayla in Aqaba, participating in Phillip Hammond’s Temple of the Winged Lions project, and launching the Petra Church Project. 
During the first few years Ken worked in Petra (1973–1977), he befriended the Bdoul while working as an area supervisor for the American Expedition to Petra (AEP). When he returned years later, the Bdoul still remembered him fondly, especially because he had once carried an injured boy down a hill in order to get medical treatment. Fellow excavator Steve Simms recalled that “Ken had worked with Phillip Hammond on the Temple of the Winged Lions in the 1970s. He pleaded with Hammond for years to let him [Ken] open a trench to excavate a domestic structure to the east of the temple, as so few had explored Nabataean dwellings until that time. Hammond was opposed to it but Ken pestered him long enough that he finally said ‘Go over and do your thing.’ Ken wanted to get a sequence of residential occupation, which he did.”  The results are depicted in the photo below.
Ken returned to the University of Utah in 1977 to work on his doctorate, but, in 1986, after a nine-year absence, he was eager to return to Jordan. Together with Steve Simms, Ken submitted a grant application to the Leakey Foundation, proposing to study the site formation processes of nomad pastoralist camps and how to ensure recognition for mobile peoples archaeologically. Upon visiting friends in Petra, Ken wrote back to Steve in Utah, excitedly, saying he thought the history of the Bdoul Bedouin  would be the perfect subject because there was a large group of people that had resisted pressures to settle and instead continued to live “the old way” in black tents. As a result, Ken and Steve began the Petra Ethnoarchaeological Project in 1986. This work differentiated them from other scholars in the Petra region who largely focused on the archaeology of the Nabataeans. The Bdoul Bedouin subjects formed deep relationships with Ken and Steve, as previously they had typically been engaged with archaeological excavations in limited roles including manual labor; no one had ever taken an interest in their own archaeology. As Steve recalled, “the Bdoul thought that someone was finally going to pay attention to them. And that was immensely satisfying to both of us.”
Tur Imdai is located in the foothills of Wadi Araba, about 5 km northwest of Petra. Ken and Steve’s excavation of a rock shelter there yielded a record of habitation by pastoralists beginning about 1650 C.E. and continuing to the present. The name Tur Imdai can be translated as “spacious” or “perpetual shelter” and is said to have been a preferred site for winter encampments. The Bdoul Bedouin of Petra have been associated with the site for over a century. Dating back to the 19th century, the Bdoul often moved their goat herds out of the highlands around Petra to the lower elevations of the Wadi Araba to exploit the local winter vegetation and escape the wet plateaus. Wadis are valleys that are typically dry except in rainy seasons. Steve recalls that the elderly Bdoul revered Tur Imdai because it represented living “the old way.” They were consequently very supportive of Steve and Ken’s effort to document the history of the Bdoul.
It took several years to get permission to begin excavations, but the project at Tur Imdai finally commenced in 1990. Steve remembers going on a long journey to reach the site, and as soon as they arrived, they found the whole archaeological sequence was right there in front of them, exposed due to a flash flood through the Wadi Musa and at the location pictured below (11) in Wadi Siyagh in 1963. This was the same flood that caused the drowning of a local guide and 22 French tourists in the Petra Siq. The flood altered the course of this wadi at Tur Imdai and caused a 2 m high, 18 m long entrenchment of archaeological deposits.
Presumably, the shelter at Tur Imdai was repeatedly subject to events similar to the historic flood in the 1960s, with the stream periodically shifting its course. The very existence of the shelter was most likely due to stream erosion.
Here, Bert de Vries tells us more about Ken’s work with the Bdoul Bedouins and Tur Imdai:
“This is the project I am most fascinated with, because it reflects Ken’s scholarly gregariousness and scientific seriousness. The research field was paleobotany and climate. Tur Imdai is a cave located in a sharp bend of the Wadi Mousa to the west of the ancient city of Petra, after the stream plunges about 250 m straight down. In winter floods, the wadi would carry sediments into the cave, which were then periodically covered by ceiling collapse. You can see these alternating striations of sediment and bedrock in the Tur Imdai photographs. Because this ceiling collapse sealed the soil layers, it was possible to get a chronological profile of the changes in botanical species over the millennia it took to lay down these deposits. You can see this bend in the wadi from the outlook points west of the Petra Monastery [Ad-Deir]. Steve Simms finished the work and published reports as a post-mortem homage to Ken.”
When asked how he would describe what motivated Ken, Steve said this: “Ken had a passion for the power of the question. He really understood science as being the development of questions, rather than of answers, and in that regard we were really soul mates in that way. He would still be pursuing it today. He defined himself through his work, as so many scholars do.”
During intermittent fieldwork from 1986 to 1994, the Petra Ethnoarchaeological Project focused on the ethnography, ethnohistory, and ethnoarchaeology of the Bdoul Bedouin. In addition to their pastoral activities, the Bdoul traditionally cultivated fields of wheat, barley, and tobacco throughout Petra. Their agricultural fields were encountered and recorded by early travelers, and this showed that cultivation was a Bdoul practice dating from at least the 19th century. Archaeological evidence from Petra suggests that some fields there may even date to the medieval period.
At the time of Ken and Steve’s ethnographic study in 1986, many Bdoul cultivated wheat and barley during the wet seasons using local seed stocks and by using ards, a type of light plow. Steve recalls being out on an excursion and coming across a barley field and seeing that it was being harvested by hand. This chance find sparked high excitement. Ken suggested that they started measuring return rates on this process, and that soon became the project’s focus. The Petra Ethnoarchaeological Project, therefore, transformed from comparing living and abandoned tent camps in order to develop understanding about the camp formation processes into the study of Bdoul Bedouin harvesting methods. Of particular interest to Ken and Steve was the method of harvesting: dry or slightly green tillers of grain were gathered together with a sweep of the hand and broken off with a short jerk backwards, accompanied by a downward tilt of the wrist. This method continued until both hands were full of small bundles of grain, at which point they were laid on the ground in piles.
In observing the Bdoul go about their work, Ken and Steve were able to compare the cost of hand harvesting with that of harvesting with different types of sickles. They found that harvesting by hand proved less costly than the use of early sickles, and hand harvesting of cultivated cereals was similar in cost to the harvesting of wild cereals, despite the investment in field preparation.
These findings had important implications for the recognition of food production in the archaeological record. Comparing these figures showed that hand harvesting was as efficient as harvesting with advanced lithic and early metal sickles. Steve explained that “[i]n grass seed collecting, it is the processing costs that overwhelm all the other costs. Thus, ancient peoples were experiencing selection pressures as they made decisions about which grasses to exploit or ignore.” Therefore, Ken and Steve’s goal was not so much to find the “real” return rate for early cultivators as it was to identify potentially robust relationships within harvesting activities.
At the time of his death, Ken was about to begin excavations on the find of his life, the Petra Church. Ken had known about the structure since 1973 but formally recorded it only in April 1990. His untimely death so soon before breaking ground at the excavation site was especially tragic because Ken was the driving force behind the Petra Church Project and it was likely to have been a turning point in his career.
Author Jane Taylor, whose photographic collection is available to browse here, also recalls her memories of Ken:
“Ken introduced me to some of the Bdoul Bedouin whom he knew from his work in and around Petra—people who knew the out-of-the-way places that I would want to photograph. In particular he introduced me to Dakhilallah Qublan and his family, who have been my friends ever since. Wherever he went in Petra Ken was greeted by the Bedouin with a touching blend of affection and respect. It seemed there was no place—within Petra or in the hinterland—of which Ken did not know its name and what had happened there. He was the perfect guide for someone wanting to delve more deeply into the story of the place.
“When I was offered the opportunity of photographing Petra from the air for my book,  Ken was the obvious person to ask to accompany me, to ensure I was able to find every site on the list we had put together. It was the first time he had seen Petra from the air—a place he knew so well from the ground.
“What I didn’t know then was that he was already convinced that Petra had had a very big and early church—almost certainly a cathedral—decorated with a wealth of mosaics. He surreptitiously photographed its outline from the air—and later started his successful campaign to get the funding to excavate it.
“But on the day in May 1992 when the excavation was scheduled to begin, instead all his friends, both from Amman and from the Bdoul Bedouin, attended his burial at a site—given by the Bdoul—that overlooked his beloved Petra.” 
The excavation of the Petra Church continued after Ken’s passing, and it soon revealed that the church was built around 450 C.E. by Christian communities living in Petra. Two aisles of important mosaics were discovered, as well as a cache of 140 6th century papyrus scrolls that had been carbonized in a fire and thus preserved. ACOR has published several books on these exceedingly rare documents—the “Petra Papyri”—providing fascinating insights into late Byzantine-era society in Petra. The Petra Church, published in 2001, was dedicated to Kenneth Russell and his unswerving devotion to recovering Petra’s past. 
In 1997, Steve finished their work and published two articles that he co-authored with Ken: “Tur Imdai Rockshelter: Archaeology of Recent Pastoralists in Jordan”  and “Bedouin Hand Harvesting of Wheat and Barley: Implications for Early Cultivation in Southwestern Asia,”  thereby completing an important chapter in Ken’s professional career.
To honor Ken’s memory, The Kenneth W. Russell Fellowship was established with the support of family and friends. The fellowship is managed by ACOR and offers a yearly prize that provides financial assistance for Jordanian students enrolled in an archaeology or cultural heritage degree program in any country, as well as support for non-Jordanian students to conduct fieldwork in Jordan. The Russell Fellowship also supports the Bdoul of Umm Seyhoun through an annual Tawjihi prize, which goes to the highest performing male and female high school students in the village of Umm Sayhoun. You can support the Kenneth W. Russell Fellowship by setting up a one-time or recurring monthly donation on our website or by mailing a check to our U.S. office. Details on this and on general support for ACOR can be found here.
Ashley Lumb has served as ACOR’s Project Archivist from July 2019 to May 2020.Her term at ACOR is part of the ACOR Research Library Photographic Archive Project (also known as the ACOR Photo Archive Project) which is supported through a Title VI grant from the U.S. Department of Education (2016–2020).
 G. Peterman, “In Memoriam: Kenneth Wayne Russell,” The Biblical Archaeologist 55(3) (1992): 111.
 S. Simms, “In Memoriam: Kenneth Wayne Russell 1950–1992,” Utah Archaeology 5.1 (1992): iv–vi.
 B. De Vries, personal communication, April 22, 2020.
ACOR Proudly Presents: “The ACOR Photo Archive: Mobilizing Digital Tools to Preserve Visual Heritage” An ACOR Public Lecture by Dr. Jack Green and Jessica Holland on February 11, 2020
About the Lecture
The ACOR Photo Archive contains rich collections of tens of thousands of photographs, but its reach also extends far beyond the images themselves. ACOR’s archival collections reflect the seismic shifts that have occurred in the region over the past 80 years, including early black-and-white photos of 1940s Amman, rare color slides of the technological and development boom of the 1980s, and photographs of heritage sites that have since been damaged by conflict in Iraq, Syria, and Yemen in the last decade. Newly digitized, these images and their associated metadata provide an especially valuable frame of reference with which to understand Jordanian heritage, demonstrating many applications within academic research and among cultural heritage professionals. In addition, given the rapid urban development Jordan has experienced within the past 30 years, the photos document social change in cities such as Amman and Aqaba and provide new generations access to alternative views of these places within living memory. The ACOR Photo Archive Project is driven by the values of sustainability and accessibility, and in order to make ACOR’s archival efforts sustainable in the long term, the Project trains Jordanian graduates in photo digitization and hosts workshops attended by Jordanian national and international heritage institutions. The ACOR Photo Archive Project is funded by the United States Department of Education (Title VI grant; 2016–2020).
To download a high-resolution, linked PDF of the lecture presentation, please click here.
Background: About the ACOR Photo Archive Project
The ACOR Photo Archive collections is interdisciplinary, featuring works of interest to a broad range of specializations including anthropology, architecture, urban studies, history and art history, conservation, economics, geography, and cultural heritage studies. Each of the 27,000 photos online is described in detail, and the growing number of Arabic-language references continue to improve bilingual search capabilities within the free online database. Please note you can read more about the project online, search the collection yourself, and follow project highlights on Instagram.
About the Lecturers
Jessica Holland is the ACOR Archivist. Her work specializes in digital curation and outreach activities as part of a long-term strategy to make ACOR’s significant archival holdings more accessible to the public. Jessica’s background is in art history, curation, and museums. Jessica received her B.A. from the University of Cambridge in History of Art (2013) and her M.A. from SOAS, University of London in Near and Middle Eastern Studies with Intensive Arabic, submitting her thesis within the digital humanities field (2018).
Jack Green joined ACOR as the Associate Director in October 2017. He supports ACOR’s activities, including the USAID SCHEP project. He also serves as the project director of the Temple of the Winged Lions Cultural Resource Management Initiative (TWLCRM) at Petra and co-Project Lead of the ACOR Photo Archive Project. Jack Green’s academic and professional background is in ancient Near Eastern archaeology, cultural heritage, and museums. He was curator of Ancient Near East at the Ashmolean Museum, University of Oxford (2007–2011), chief curator of the Oriental Institute Museum, University of Chicago (2011–2015), and deputy director at the Corning Museum of Glass. Jack Green received his B.A. degree from the University of Liverpool (1999) and M.A. and Ph.D from the Institute of Archaeology, University College London (2001 and 2006, respectively).